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Digital Film vrs Traditional Film
UPDATE FALL 2003 - I've made the switch for 35mm cameras
to digital using Pro digital cameras, the final budget was $40,000 although I'm
sure there will be other pieces that will move this up over the coming year.
This page is out of date for me, though for non-professionals it is probably
still up to date enough. For 4x5 work I still use film. I have NOT had the time
to update the rest of this page so ... read with caution!
I am often asked what I think about digital photography. Here are my
thoughts as of August 2003:. "Oh, I am sooooo close to switching to digital, I
am carefully evaluating some $3,000 to $9,000USD cameras and related softwares
(about $7,000USD) and hardware ($4-20,000), total budget around $50-60,000.
There are three features I really want all in the same camera, right now I can
find cameras that have all combinations of 2 out of the 3 of them, so I've just
got to hold on a little bit more." If you are reading this later than Dec 2003
- be careful, this page is too far out of date. Email me and
remind me to update it!
OK, first, is Digital good for anything?
Yes!!! I have several 35mm cameras (8 at last count), I use 3 of them
heavily as my main cameras. I also have a 4x5 camera (read - VERY
big) that can make exquisite photos even wall sized. But I also have
a low/medium end digital camera (it was close to high end when it came out a
couple years ago.)
If your purpose is to provide images on a screen - ie over the web,
then 640x480 or 800x600 is usually good enough - or in manycases, too
big. If all you ever want to do is put images on the web - a digital
camera is frequently the best choice. Certainly if you are just doing "snap
shots" it will always be the perfect solution. If you want
professional quality web images - ie special lighting, portrature
etc.., then the digital cameras I've seen that sync with professional lighting
systems just don't exist at a reasonable price yet. Even if you are a
professional like me (or more professional<g>) it is currently far
better to use your "real" camera and then pay a company $50 to drum scan the
image in properly or get a really good ($10-15000USD) scanner, tune
it and scan yourself.
If your purpose is to print them out, the table below gives some useful
guidelines using current technology image sensors. Current technology image
sensors record Green at every other pixel, and Red and Blue at every other
other pixels. This means they read green for 50% of the pixels, Red for 25% of
the pixels and blue for 25% of the pixels. Then they guess at how much Red and
Blue was at the pixel for the Green and guess at how much Green and Blue were
where they read Red and so on. This means that, on average you are only getting
about 1/2 to 1/4 of the true resolution implied by the numbers below. **
Recent update. There is new technology that reads every pixel at every level.
Their effective resolution is between 2x's and 3x's the image sensor size.
Very cool. Currently the only manufacturer is Foveon with their X3 sensors.
Currently you can only get them on a Sigma camera which I'm not all that
impressed with (various compatibility issues mainly - too bad too, because the
Sigma FILM cameras are Nikon compatible - so why did they go to a different
standard for their digital camera? I'll never know..)
Digital cameras are also excellent for learning composition and all the basics
of good photography. No, unless you buy a very expensive one, they won't teach
you the detailed technical aspects - but what most people lack is the artistic
side (cutting off heads when not appropriate, standing way too far back, and so
on). Digital cameras, especially those with LCD panels that show you your
picture immediately are fantastic for this level of learning.
CURRENT TECHNOLOGY DIGITAL CAMERA AND CONSUMER QUALITY SCANNER REQUIREMENTS
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Image size
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Minimum resolution for consumer quality images
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Minimum resolution for magazine quality images1
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Maximum worthwhile resolution for gallery images
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4x6
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768x10242 (ie, a 1024x768 image on its side)
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2000x3000
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I have no opinion yet for this column but I'm thinking at least 2400 DPI
- that is, almost 10 times the magazine quality. I say that because I
have seen ones film printed at 1200 DPI and 2400 DPI and the difference is
noticeable. It is the difference between really good and
exquisite. It may turn out that when I see a 4800DPI, I will say OH
Wow! 4800 is when it is finally perfect. Note that would make my
choice here 19,200 x 28,800
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5x7
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864x1152 (ie 152x864 on side)
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2500x3250
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8x10
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1024x1536 (ie 1536x1024 on side)
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4000x5000
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NEW GENERATION DIGITAL CAMERA AND HIGH QUALITY SCANNER REQUIREMENTS
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Image size
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Minimum resolution for consumer quality images
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Minimum resolution for magazine quality images1
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Maximum worthwhile resolution for gallery images
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4x6
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350x5122
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1000x1500
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I have no opinion yet for this column but I'm thinking at least 2400 DPI
- that is, almost 10 times the magazine quality. I say that because I
have seen ones film printed at 1200 DPI and 2400 DPI and the difference is
noticeable. It is the difference between really good and
exquisite. It may turn out that when I see a 4800DPI, I will say OH
Wow! 4800 is when it is finally perfect. Note that would make my
choice here 19,200 x 28,800
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5x7
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430x550
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1250x1750
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8x10
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512x750
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2000x2500
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1. I'm talking a high quality magazine here, not one printed on
newsprint! Typically you want 250DPI or greater.
2. Note that Print sizes are given smaller dimension then larger dimension
while images sizes are typically given vertical then horizontal. If you
look at the numbers above you will see that I am saying that a 1024x768 image
held on its side will be good for a 4x6.
The numbers picked in the second column were picked as "weird" numbers because
they match common resolutions available on cameras. That is, you WILL
find cameras that offer 1024x768 as an option, but you probably will not
find one that offers 800x1100 or 750x1000. So for that purpose I have picked
the "commonly available" numbers closest to what I think is reasonable.
Also, you will notice an interesting anomaly. I'm saying that you
need nearly 200 DPI for a 4x6 image, but I'm saying that 128 DPI is good
enough for an 8x10. How can THAT be? Is it a typo? NO! The
simple fact is that you will normally hold a 4x6 closer to your face than you
would an 8x10 so the resolution of a 4x6 needs to be higher than an 8x10.
Will the "consumer quality images" resolutions satisfy everyone? Is it
good enough that people won't notice the difference? No. I have been
shown, in a store, images that were 4 times that resolution and
asked whether I could pick the digital from the film. I guess correctly,
and quickly, and easily every time from 6 feet away. Some people can't see as
fine detail as other people. I have been blessed (cursed?) with good resolution
eyesight and I would only be happy with those resolutions for snap shots,
holiday pictures and record keeping. But I also know that a lot of people
are happy with those resolutions and have had many people ask me whether I
could see a difference - suggesting that to them they were just as good!
OK, I am asked, so why are the Minimum resolutions for magazine
quality images always 250DPI regardless. Think a bit before reading
further.... The answer is simple, you hold a magazine the same distance
whether you are looking at a small picture in the corner or whether you are
looking at a 2 page spread. It is only when you cut an image out of a
magazine and put it up on a wall that you could now have lower resolution with
the larger images!
Here's another way to look at it:
Good quality film, in a 35mm camera is approximately 15-16Megapixels (real
megapixels, not the red/green/blue alternating megapixels of most digital
cameras), so current 6 megapixel cameras are about 1/6th the quality of 35mm
film. My 4x6 camera is going to give about the equivalent of 256 Megapixels,
about 100 times the current quality. So there is a little way to go still!
Well, this was fun. There is much more I could say about
Digital, but lets leave it off with this comment:
It may not be a matter of IF digital is going to completely replace Film,
but WHEN. 3 years? 10 years? 20 years? And every year
between now and then, digital will take away a bit more of film's
business.
For now, I'll stick with all my different cameras and, for a
lot, scan the image in from a print, negative or transparency
reversal (slide.) But I plan to switch to a good digital ($5000-$10000USD)
somethime late in 2003 or 2004 for most of my 35mm work. I suspect by 2004/2005
digital will completely replace my 35mm cameras. Needing 256Megapixles, it will
be a least a few more years beyond that before I'll replace my 4x5 camera with
digital!
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